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503Five Resident Playwrights Announced!

February 2nd, 2012

Theatre503 is delighted to announce that, after much deliberation, the new 503Five resident playwrights are:

Brad Birch – Jon Brittain – Gemma Langford – Charlene James – Chris Urch

The 503Five will embark on an 18-month residency with Theatre503 during which they will be offered mentorship, advice and support, culminating in a first draft submission of a brand new play with at least one of the plays being taken into full production. Theatre503 is committed to facilitating professional opportunities for all the writers involved and taking the very best ideas forward. The only thing we ask of them is to be “fearless” and to create work that is immediate, responsive and of boundless possibility.

The 503Five scheme was founded in 2010 and worked with writers Rex Obano, Lou Ramsden, Nimer Rashed, Richard Marsh and Beth Steel. Our 2011 submissions totalled almost 800 applications from as far and wide as the USA and Niger. The calibre of work was staggering and the decision making process lengthy and thorough.

Artistic Directors Tim Roseman and Paul Robinson had this to say:

“Through the most exhaustive process possible, we have selected 5 unique voices who are destined to help shape the theatre of tomorrow. Their visions are thrillingly imaginative and their approach to theatre refreshingly fearless. We look forward to working with them rigorously in the coming months and presenting their plays here at Theatre503.”

The 503Five initiative has helped us evolve the way we work with playwrights and explore ways in which we can place the writer at the centre of what we do at Theatre503. The playwrights will have a creative home in the theatre, with opportunities to engage in every aspect of the theatre’s work and feed the vision of the building.

In the first year of the scheme Theatre503 produced three of the writer commissions in-house, and a short play commissioned by 503 has been developed into a full-length musical, soon to receive a major London production. The remaining playwright received a full production with Hightide/Old Vic during her participation on the scheme.

CHARLENE JAMES

Charlene James trained at Birmingham School of Acting and at the Steppenwolf School in Chicago. She is a graduate of the Royal Court’s Young Writers Programme.

Her first play, Maybe Father, was shortlisted for the Alfred Fagon Award and went on to have a reading at the Young Vic Theatre.

“It’s inspiring to know that everyone at 503 is there because they have a genuine passion for nurturing playwrights and creating exciting theatre – this is why I’m looking forward to being part of the 503 Five scheme.

I intend to take advantage of all the theatre has to offer in order for me to create a fearless piece of writing to stand on the Theatre 503 stage.”

CHRIS URCH

Chris Urch trained at the Drama Centre as an actor graduating two years ago.

In 2011 Theatre 503 staged Married to the Game (Rapid Write Response), A Girl Like You (Latitude) Vote of No Confidence (Labfest).

Other writing credits include: You Get Me? (Bush Theatre), G.L.O.R.Y (Canal Café Theatre)

Chris has been invited onto the Younger Writers Programme at the Royal Court later in 2012.

“I’m truly honoured to be one of the 503 five and delighted to become part of the 503 family at such an exiting time for one of London’s most prolific and important new writing venues. I am hoping to collaborate with four fantastic writers whom I can learn from, be challenged and inspired by. But most importantly to forge long term working relationships…oh and also bang out some great new plays.”

GEMMA LANGFORD

Gemma Langford is a Manchester born playwright and graduate of the Jerwood Mentoring Scheme, where she was mentored by esteemed playwright Colin Teevan. She was then chosen by the Royal Exchange Theatre to be one of “The Twelve”, a group of writers selected as up and coming talent.

“Theatre503 is a rare thing – a thriving hub of genuine creatives. You feel it whenever you go up those stairs. And I’m honoured and thrilled to be part of this unique family. I can’t wait to exchange ideas and stretch myself in new directions. I’ve been given an amazing opportunity to write something really special…”

JON BRITTAIN

Jon’s first play won the award for comedy at a festival at which it was the only comedy. Since then he’s worked extensively with Old Vic New Voices, taken three sell out shows to the Edinburgh Fringe, got slightly better at writing, and learnt how to make noodles out of courgettes.

“My new year’s resolution was to finally write a full length play, it’s a daunting task, but one made far more appealing by the prospect of doing it with the advice, assistance and support of my favourite theatre. I look forward to making lots of mistakes and learning from each one.”

BRAD BIRCH

Brad is a 23 year old playwright from Mid Wales and has had work performed at Theatre Powys, Sherman Cymru, the Royal Court, Theatre503 and Dirty Protest. Brad is a graduate of the Royal Court’s Young Writers’ Programme and subsequent progressions and is the currently the Writer in Residence at Undeb.

“I am very grateful to have been picked for the 503 Five. I intend to use the time with the company to develop my skills as a dramatist (rather than just a writer), and use the scheme to get work on its feet. I intend to deliver a play that would stand up with the quality in 503′s canon.”

503Five is run by Theatre503’s literary department Steve Harper and Kezia Cole

As Wikileaks goes dark, Assange takes centre stage

January 23rd, 2012

In the week the US House of Representatives were considering the Stop Online Privacy Act (SOPA) prompting Wikipedia to stage a 24hour blackout, at Theatre503 we are shining a light on the most divisive figure at the heart of the freedom of information debate, Julian Assange.

The SOPA bill would give the US justice department powers to restrict access to website and service providers, should petitioners obtain the necessary court order. Some commentators view the sweeping nature of these powers as a step towards censorship on the Internet, allowing big business to dictate what information can be accessed. Ostensibly the bill is to protect musicians, filmmakers and artists from piracy; however it is easy to see how this kind of power could have been used to supress the dramatic release of confidential information in February 2010 by Wikileaks.

Julian Assange is the Editor in Chief and Founder of Wikileaks and a controversial, mysterious and charismatic figure. Exploring Assange’s character and motives in Man in the Middle, Ron Elisha looks the man from all angles, with a “multi-tasking cast” portraying heads of state, media moguls and Assange’s own family “with great zap and zest” Independent.

Darren Weller as Julian Assange Photograph by Flavia Fraser Cannon

We’ve described it as a Wikiplay; sourced from the public domain, refracted and redacted by the playwright Ron Elisha, who has kept abreast of recent developments and redrafted accordingly. Being “nimble and reactive” is vital to Theatre503 as Joint Artistic Director Paul Robinson asserted in The Guardian“An audience can come in [to Theatre503] having read something in the paper that day, and see something that connects with it.”

Getting under the skin of the white-haired mercurial man is Australian actor Darren Weller, who has found audiences very responsive to the show: “Everyone I speak to after the show has been genuinely moved and is inspired to go home and find out more about the man and his work.” London Calling. Darren hopes that Man in the Middle “like all good theatre, challenges us to ask big questions of the world we live in and our place within it.” WhatsOnStage

As poignantly portrayed by Andrew Leung in Man in the Middle, Private Bradley Manning remains incarcerated and subject to interrogation by military personnel. With his court martial on the horizon, new revelations about Assange and Wikileaks are expected anyday. At Theatre503 Man in the Middle puts Assange in the spotlight on stage, as he may once again be in the dock in life.

Man In The Middle by Ron Elisha at Theatre503 runs until Saturday 4th February. Book Here

By Claire Turner, Resident Assistant Producer

Press Comments for Man In The Middle

“Worth a wiki-look, I’d say” Daily Telegraph

“If ever there was a play for the internet era, it is this one” Evening Standard

“a snazzy, fast-paced production by Lucy Skilbeck” The Guardian

“I particularly enjoyed Jonathan Coote’s work as Geoffrey Robinson QC”
Evening Standard

“At the lively Theatre503 Lucy Skilbeck has directed a smart production” The Observer

“a well-rounded picture of the familiar figure” The Public Reviews

“Assange is in the middle of this story, and of his own, and this production brings him rather brilliantly to life.” Exeunt

“It is exciting to be watching a play that feels so current” The Public Reviews

“Quite riveting. Well worth a visit” London Theatre Guide

“Lucy Skilbeck’s multi-tasking cast perform … with great zap and zest” Independent

“Engaging viewing” The Public Reviews

“Assange, played by Darren Weller with charismatic physical presence” Independent

“a thought provoking satire tackling the blurry area between right and wrong” The Stage

“The new supporting British cast all give polished performances” The Stage

“Darren Weller is clearly having great fun portraying the increasingly unsympathetic Assange” The Stage

“There is … some capture of Assange’s wild rhetoric and of the liquidity of his character: the skill of an adult, the urges of an adolescent, the temperament of a toddler.” The Observer

“compelling performances by Andrew Leung… and Amy Marston” London Theatre Guide

“Darren Weller provides an astonishing physical resemblance to Mr Assange” London Theatre Guide

“an excellent cast – confidently directed by Lucy Skilbeck” London Theatre Guide

Roland Smith and Rachel Valentine Smith talk about This Year It Will Be Different

December 30th, 2011

New Years Eve is almost upon us and our teams of writers, artists, directors and actors are hard at work putting the finishing touches to their plays.

We’ve managed to drag two of the directors away from rehearsals to tell us more about the show as it comes together.

Rachel Valentine Smith is the Associate Director of The Faction Theatre Company (Peter Brook Equity Ensemble Award Winners 2011) she is directing the work developed by Mufaro Makubiko and Paddy Malloy. Rachel told us a little bit about why she got involved with This Year It Will Be Different

“The idea then that the pieces were to be driven by a visual artist and the writer made it very intriguing. I think it is an exciting way to work to see how animation in particular works in a theatrical context and how these elements interact in the story telling. The ideas that Paddy and Mufaro presented me with had surreal and filmic qualities as well as drawing from common life experience, which is an interesting juxtaposition for the stage.”

“As the theme is appropriately New Year based, it is great to be starting 2012 at Theatre503 in this way.”

Roland Smith is a founding member and artistic director of Theatre Delicatessen for whom he conceived and directed Pedal Pusher,Elle and the Cabaret of the Cavendish Club and Fanshen.

It was the unique nature of the the collaboration that also attracted Roland to the project…

“What is fascinating about the project is that each of the 10 minute pieces that will be performed each evening has been crafted with a non-theatre artist – in my case the Iraqi photographer Hydar Dewachi, who has worked with Lisa Cagnacci on the text.”

“I have a genuine love for Theatre 503, and that isn’t only because some of my favourite people on the fringe work there. One of my earliest pieces, To Close and Kill was first staged at Theatre503.”

To read more about Roland’s thoughts on This Year It Will Be Different take a look at his blog by clicking on the picture below.

Roland Smith and Sean McGrath after a performance of To Close and Kill at The Latchmere (before it became Theatre 503)

This Year It Will Be Different 3 – 7th January at Theatre503
Book Here

Earlybird Offer for our 2012 Season

December 28th, 2011

We’re helping you save pennies in the New Year with special £7 earlybird tickets for all new season shows, This Year It Will Be Different, Man in the Middle and Mathematics of the Heart.

Book before January 1st and use the promo code EARLYBIRD to claim the special offer. You could be saving £17 by booking all three now!

Our first show of the year; This Year It Will Be Different is a bold series of collaborative projects pairing playwrights and visual artists. 3rd -  7th January.

Our second show of 2012 is the European premiere of Man in the Middle, which caused a sensation when it premiered under the title Stainless Steel Rat in Sydney earlier this year about WikiLeaks founder Julian Assange. 10th January -  4th February.

In  a joint production with Natural Shocks Theatre Company, we present the world premiere of Kefi Beswick’s Mathematics of the Heart. 7th February – 3rd March.

We hope to see you soon!

New Year, New Writing at Theatre503

December 27th, 2011

In between the feasting and family gatherings this Christmas, we are working hard on our first show of 2012, This Year It Will Be Different  3rd – 7th January. The title reflects our approach to the show, which challenges visual artists and writers to collaborate, developing the ideas and the plays together.

New Year is our inspiration and we’ve been hearing your stories of new years celebrations good and bad, of new years resolutions, and taking a peek at your photos. Six playwrights have collaborated with six artists to write pieces that delve to the dark lows and glittering highs of a new year.

Janice Okoh, whose play Three Birds recently won the Bruntwood Prize got involved “Because it was the perfect opportunity to push my boundaries and to try something I’d never considered before. It’s scary taking risks and collaborating but that’s what 503 is all about.”

Working with Janice is Cressida Knapp, an illustrator and artist who works in many mediums. For this project she has chosen a bold style creating silhouettes using shadow puppets. Take a look at some of her initial sketches.

More of Cressida’s work can be seen on her blog.

To submit your thoughts tweet us @theatre503 #503NewYear, you can book tickets here.

Keep checking back for more updates on This Year It Will Be Different and the other shows coming up in 2012!

Claire Turner, Resident Assistant Producer.

503Five Deadline Extended

September 5th, 2011

We have extended the deadline for entries to the 503Five by one week. Playwrights must now submit their entries to us by Monday 12th September 2011 at 5pm.

For for more details please go to 503Five

We are looking for a new General Manager

June 9th, 2011

Congratulations are in order to Theatre503′s current General Manager who is leaving to become Fuel’s Executive Director

We are therefore seeking to appoint a dynamic and experienced individual to develop and deliver our programme, creating high quality theatre for local and London-wide audiences.

Check out our Jobs page for more details.

Welcome…

May 21st, 2011

…to our new website.
Feel free to have a look around.
We hope you like it as much we do!

Theatre503

3 Offies!

February 27th, 2011

Theatre503 has won three Off West End Awards:

Most Welcoming Theatre
Best New Musical (Porn – The Musical)
People’s Choice Best Female Performance (Jessie Cave for Breed)

Nomination – Most Promising Playwright (Gabriel Bisset-Smith for The Charming Man)

Mountain Top

June 16th, 2010

Nominated for two Olivier awards: Best New Play and Lorraine Burroughs for Best Actress